MARIE-LOUISE JONES
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Gardens of Progress [2021]
concrete, steel, organic matter/plants 

WSP, GALLERY32

A public sculpture temporarily installed at Gallery 32's Winter Sculpture Park​​ sited on a former industrial wasteland. The monument is brutalist reimagining of Barbara Hepworth’s Cantate Domino, hybridising an expanding, growing organism with inert, industrial matter awakening from modernist dreams of a future utopia

"Deep histories tumble in unruly graves that are bulldozed into gardens of progress" 
Anna Tsing



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